How a Dancer Can Improve in Rehearsals to Perform in a Group

Explain how a Dancer whoremonger change in Rehearsals to Perform in a Group


When rehearsing in a group, it is genuinely important to think about the music you argon using, and the counts that go with that piece of music. For example, in my group, we had trouble with our counting. Sometimes wed clear up before the music ended, and sometimes after beca make use of wed embarrass the counts. This rear end become a problem when performing because it convey your group isnt always in time with the music, which can affect the fluidity of the performance.
Another intimacy we found challenging, was actually working in the group itself! Initially, it was fine because we had quickly realized which one of us would be which character in the performance. moreover soon after there were problems with spacing, which meant we argued a lot with each(prenominal) other and with other groups! This is something a dancer must pass in order to improve in their group performance, because ripe(p) co-operation with all the dancers means a smoother performance.
Probably the easiest thing our group found, which overall really helped us improve in our performance, was lifts. One of the people in our group was really uplifted and strong, and another very light and easy to lift, so we put option them together and worked out some really lovely lifts.



For example, the light source individual stood on a chair and collapsed over the taller persons shoulder. He then lifted her up and spun cadence the room, which looked brilliant in the overall performance!
Props are also something to think about in order to improve in a group performance. For example, our group used a chair to show the boundaries between the characters, but you could easily use any prop which is seen as relevant to the piece. However it can also mean your group has to work a pocket-sized harder to try and include the prop in the piece, but overall it looks really professional and can work really tumesce when performing.
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