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Friday, November 9, 2012

The essence of poetry

William Carlos Williams is a minimalist and manages to verify more by saying less. This is evident in a number of his songs, unless one of the most compact is "The release Wheelbarrow," a poem which on the surface has a capacious simplicity but which is much more complex on closer examination. The poet here has reduced the poem to the minimum in terms of imagery, language, and structure. The poem consists of four stanzas, for each one of two lines, but in its entirety made up of only xvi words. Every word is vitally important and contributes both to the contiguous image representing the word itself and to the overall image created by the poem as a whole.

The poem can be stranded into a series of simple images--the red wheelbarrow, rain body of water as a glaze, white chickens. Each of these elements is connected from the start-off by the statement in the first two lines:


The poet divides the word "wheelbarrow" in the attached stanza and forces the endorser to examine the word and to consider all the assertable meanings of the following lines:

The poet here indicates the importance of the "list" to come.
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he does non state what "so much" actually means and leaves it to the reader to trace a line through the poem to initiate an answer to the question these lines raise. Each line stands as a weighed down unit, and the structure of the poem makes each unit of sound distinct and complete while indicating a relationship amongst them. For instance, to state "so much depends upon" is very different in its effect from what the poet writes:

"Rainwater" is also a word divided, with the piece part on a separate line. In the prevail stanza, the term "white chickens" finds the adjective on one line and the noun set apart on a second. In each case, Williams forces the reader to consider the connections that exist between the two lines by the way the one-word line in each stanza is a holdover from the line above. The entire poem could be read as a simple
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