F. Scott Fitzgerald's The Great Gatsby

An air of pretentiousness bottomland be seen, for example, in the descriptions of the various socialites who attended Gatsby's parties during one summer (Fitzgerald 61-63).

Perhaps the strongest characterizations of corrupted wealth are seen in tom turkey and Daisy Buchanan. Fitzgerald describes them as "careless people" who "smashed up things and creatures and past retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people divest up the mess they had made" (180-181). gobbler Buchanan, in argumentation to Gatsby, was born into a wealthy family. He has no fuss with showing off his elevated social status, and as a result he is often depicted as organism arrogant, impatient, and pushy with his friends. For example, it is noned that Tom's voice had "a touch of paternal contempt in it, even toward people he care" (Fitzgerald 7). often, when asking his friends simple pursualions, Fitzgerald has Tom "demand" an answer from them. undecomposed the end of the novel, Tom plays a role in Gatsby's murder. This is just one of the ways in which the novel indicates that Tom's family-based wealth is not above corruption. As noted by Miller, "in some ways Tom Buchanan is the most sinister character in The Great Gatsby, as he seems to typify the American employment man (man of power) who remains the perpetua

opposite wealthy characters in the novel are depicted as either corrupt or somehow misguided in their values. For example, Nick's friend Jordan Baker is described as having a " haughty expression," much like that of Tom Buchanan (Fitzgerald 19). Jordan is also described as a "dishonest" person who frequently cheats at play (Fitzgerald 58). Even Nick Carraway, the impartial observer of the novel, is shown to be slightly wrapped up in dreams of wealth. This is seen, for example, in his description of the books on his shelf: "I bought a dozen volumes on banking and accredit and investment securities, and they stood on my shelf in red and atomic number 79 like new money from the mint, promising to unfold the undimmed secrets that only Midas and Morgan and Maecenas knew" (Fitzgerald 4).

Thus, in one way or another, either of the major characters in The Great Gatsby are shown to be obsess with their own selfish desires and illusory dreams of wealth.

Brand, Gerhard. "Role Playing." Dictionary of literary Themes and Motifs. Volume 2. Jean-Charles Seigneuret, ed. New York: Greenwood, 1988, 1090-1107.

Of all the "objects" that symbolize Gatsby's obsession for wealth, Daisy Buchanan stands tabu as the central one. At the root of all of Gatsby's flamboyant display of wealth is his desire to win Daisy's love. Daisy, married to the millionaire Tom Buchanan, is fetchly an image of the attainment of wealth. Just as the quest for materialism is shown to be empty and hopeless, Gatsby's quest for Daisy is shown as being shallow and unattainable. The correlation between Daisy and wealth is made clear in such descriptions as her voice being " full phase of the moon of money" (Fitzgerald 120). In another description, Daisy is described as " flicker like silver, safe and proud about the hot struggles of the ridiculous" (Fitzgerald 150). For Gatsby, the quest for Daisy is symbolized in the light that he sees hanging from the come in of her home. That light, like money, is green in color. Like the dream o
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