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Friday, November 9, 2012

The Poet of Emily Dickinson "New England Nun"

This image first appears in verse 611:

With a prism, a narrow band of percipient passes through and breaks into bands of color. Emily argues that this image in the poem shows energy offer through the experience of love, revealing a spectrum of possibilities. This often includes a spectrum of gender possibilities, and Dickinson often confused the issue by performing on a theme of androgynous or cissy affection by interchanging "him" and "her" as objects of love in poems. The fictitious character of the poet expressed as narrator in her poems would sometimes be female and sometimes be male. In "There's been a demise in the Oppo place House" (p. 389), she assumes the masculine gender to deliver the lines:

There are different possible pigeonholingings of her love song to show different aspects of love, and the first such grouping focuses on the physical aspects of desire. This can be get outn in "A Bee his smart Carriage" as the poet depicts the bee taking his pleasure of the rose and hence leaving her humbled by the rapture:

The only engagement between the bee and the rose is sexual. the situation emphasizes the power of the male, who takes the active character in initiating the union and pleasure,


other category of love poems deals with the subject of spousal relationship. Dickinson looked at the institution of hymeneals as someone who never married. A small group of poems deals with marriage from the traditionally youthful and feminine perspective, and these poems function as a kind of wish fulfillment for a preadolescent unmarried woman, depicting the young woman's desire for a unoriginal and idealized marriage. The speaker whitethorn long to serve and reckon to the needs of an imagined husband and to share in his trials and successes in this biography and be glorified with him in the next. Another group of poems sees marriage as a decisive and consequential act score the end of childhood and the beginning of maturity.
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One such poem is "I'm ceded--I've stopped being Their's":

It goads me, like the Goblin Bee--

"In wintertime in my Room" is an erotically symbolic work that is at once a graphic description of the power of sexual attraction and an analysis of the fear and revulsion that attraction may arouse. The imagery can be projectn a Freudian interpretation, and the allegorical form of the poem makes the poem a uncorrupted example of repressed desire. This is a poem about lust and love, and the poem displays the poet's ambivalent attitudes about love. In the poem, we can see the use of the poet's own house and room as the site of her speculations. That room is often closed and shuttered against the cold, and so it is as well as dark:

Dickinson displayed a variety of types of love in her poetry and a strong understanding of human emotions that goes against the image of her as being a recluse who knew little of life.

When lovers do meet, that meeting may be all too fleeting, as in "There came a Day at Summer's full" (322). numbers 322 is thinly hopeful, and its conclusion does look forward:

What would I give to see his face?

After examining this possibility, though, the poet gives in to a disposition of despair at ever being reunited with her love at all:

I'm ceded
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