Lester is a depressed, suburban father in a mid-sprightliness crisis that works as a clip writer, however despises his job. At the beginning of the film, we see Lester talking with his boss, Brad, trying to give birth his job. The camera angles used in this scene show Lester as the submissive character and Brad as the dominant character in this situation. The high angle spirit down on Lester portrays him as pathetic and small, unable to take control of the situation. In contrast, how is Brad shown? By using this angle on Lester at the beginning of the film, we get the impression of Lester being looked down on majority of the time and being unimportant. To everybody in Lesters life, he is the passive person who can be pushed around or left in the background. However, after seeing a teenage girl Angela for the first time during a cheerleading performance, Lester is re-awakened from what he describes as a coma. From this point onwards, we see Lester grow more and more confident in his mission to seduce Angela.
Near the end of the film, we see Lester running substantive. The camera angle used in this scene shows the audience that Lester has now developed into a strong and decently character, which makes his own decisions and doesnt cruise through life in the backseat taking fiats from everyone surrounding him. The low angle looking up at Lester while he is running helped Mendes efficaciously give across the idea that Lester is now a dominant, powerful character who once was submissive.
The use of motifs such as mirrors (reflective surfaces) and disallow helped Mendes develop Lesters character. Although he despises it to great extent, Lester is a magazine writer. At the...If you want to get a full essay, order it on our website: Ordercustompaper.com
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