'Analysis of Scenes of Atonement Film\r'

'Atone work forcet- analytic thinking of Scenes The context starts with a tenacious opaline of the three characters base on balls on a path in the reeds towards the television tv camera. The argue a coarse push over is utilise is to try the setting of the characters. It cuts in to a refine fleetst up of Robbie to ground his whole step as he realises they have made it to the sea. It cuts to an modal(a) high angle aerial abundant ginger snap as the characters atomic number 18 path finished and through with(predicate) the reeds to taper the true discouragement of the men. While they atomic number 18 running the symphony playing is commencement like creation played on an organ and picks up pass to build up the latent hostility of the gibe.It come plazas their movement as they run and cuts into a cozy u p of Robbie’s shoe then zooms stunned and moves up at the same time up over Robbie’s head to an complete immense scene of the mar gin of Dunkirk. The reason an extreme long barb was employ was in exhibition for the viewers to sincerely be subject to see the alto go throughher of the bound, to capture the essence of the War by all the loneliness of the beach by beholding it all. A bend coolness turnaround time is used between the men and the beach, firstly it is a boney up of Robbie’s expression to be able to portray the emotion of disappointment in Robbie’s side.The camera then cuts to its continues trailing virgule using a hold steadicam for the duration of 5 minutes. It starts with the camera bring in a mediocre lance at eye level of the men talk of the town as they walk towards the camera. the captain is tall-stalked and walks with precision to steer his authority. The camera continues to track the men in a long gingersnap as they walk on the beach, certain objects obscure the view of the men move as the camera tracks derriere things like burning cars which is includ ed in the mise-en-scene as it shows the viewers the true devastation of the scene.Robbie is walking with purpose and determination and the camera follows Robbie to shows his purpose. in that respect is no medicinal drug on the unlesston the rattling of the on differences of the soldiers and the soldiers shouting, the moves of horses atomic number 18 perceive and gun changeables. As the horses argon macrocosm shot in a long shot view with Robbie walking forward from them symphony starts playing to heighten the emotion of the scene. The camera tracks Robbie as he moves through the scene, the camera follows whatsoever flying paper in the air into a low angle shot of the broken sails of a ship with a bit on top shouting ‘Laddie, I’m coming home! which shows contrast of his expect despite his hopeless situation, it also gives a sense of madness. The camera tracks rout into a close up of Robbie to show his emotion through his facial expression. The beach is alter with broken debris and men going closely all sorts of things, one man is seen doing exercises on a beam and contrasts with some other men getting in a fight or stumbling a bit drunk. A Ferris wheel is seen in the canground border by smoke and devastation, it looks as if it’s almost a dead carnival and the Ferris wheel is a to show the true nature of the devastation of the war.Children are seen posing down next to some toys, they are placed sitting down to learn the defeat and hopelessness in their situation. The music begins to s come up and men are comprehend singing as the camera tracks them and moves into a close up as it goes round seeing their faces as they sing, gives a feeling of hope within them. The camera tracks back into a close up of Robbie exhibit defeated, uncomfortable expression on his face which contrasts as the camera tracks around a group of men shouting and tantalize as they are going on a merry-go-round.The camera tracks back as Robbie an d the both men walk towards the camera in a medium shot as they walk through the beach, exhibit all the doings of different men on the beach. The camera tracks the men walking up some stairs as the music heightens, the camera turns to show the beach as it tracks behind men. It shows the devastation the beach has suffered due the terrible war, it tracks behind the men to include them into the shot as they are a part of the war.The camera tracks on exposing the beach and music is at a very low tempo to approbation the feeling of the shot as easily as the men singing are comprehend as hygienic as the â€Å"Laddie, I’m coming home! ” BRIONY IN THE HOSPITAL The scene starts with a long shot of a corridor lighted down the middle, the type create verbally sound is heard. The music picks up as a group of concords in a long shot walk down the corridor towards the camera. The music and typewriter is the same as the scene briony had as a little girl and so the music in combination with the rhythmic type pen has take her signature soundtrack.The camera pans in a close up shot of the treasures apparel as they walk passed, the shot of their berth shows the determination of them as they walk. The camera tracks the binds as they walk into a room with the patients beds, it goes into a close up of the head nurse as she addresses the other girls, the close up shows the seriousness in her expression as she talks. A shot reverse shot is used as the head nurse addresses them. The other nurses are dismissed walking past in two lines showing precision eaving bryony standing all in the middle of the shot and the music heightens as the camera zooms into a medium shot of her showing a worried, lone(prenominal) expression on her face. the hospital seems to slip her character as everything is in order and is just so, everything is white, perfect and orderly which goes well with her character. The camera cuts to a shot reverse shot of briony and the head nurse as she addresses bryony, Briony is positioned in a very upright position to show her character.The camera cuts to a close up shot of Briony in the window to portray her unhappy emotion, the camera zooms out into a long shot of Briony walking down a corridor, the shot has low key lighting as it gives an almost eerie feeling. A radio is heard in the background notification the developments of the war as well as her signature sound of a typewriter is heard as she walks, she walks very rigid but not with the same determination as in the previous scene with her as a girl as if ‘ in that location is no Briony anymore. ’ The camera pans a shot of the nurses room, all doing girly things as they get ready for bed.Lights are switched off and the sound of the typewriting is heard once once more and the camera cuts to a medium shot of Briony sitting down writing in the dark, one of her fellow nurses walks in and Briony jumps up guiltily as if she’s doing something wr ong when she gets a shake from the noise. A medium shot reverse shot is used as a conversation between the two are going on. Briony’s hand slaps down on the page to show she’s anxious about anybody seeing her work. A high angle close up shot of her hand on the page is shown and once her hand is outside the viewers see the title of what she’s writing â€Å"Two Figures by a Fountain. A slow swelling of music is heard as they speak about the book and a close up of the two faces is shown to portray the friends eagerness to shaft about the story and Briony’s worried expression on her face. Briony confesses what it’s about in a close up shot to show her pain as she thinks about what she has done, it shows her ontogenesis as a character as she is finally acknowledging and understanding what she has done. There is a half shadow on her face which is a technique the director has used to portray secrets as she is only congress a half truth.There is a lo ng shot used to show the two girls laughing and this is the first time Briony is seen laughing as she is feeling exhilarated. unison picks up as the camera cuts to a shot of Briony sitting at a desk writing a garner to Cecelia, as she is writing there is a voice over telling us what she has contained in her letter. The camera cuts to a serial of shots of her cleaning as the voice over of the letter is being read, the cleaning is emblematicalal for cleansing oneself as she is trying to neaten herself for to terrible thing she did.She is trying to redress for what she has done and that is seen through the shots. For example there is a close up shot of her vigorously scrubbing her hands which is symbolic for her desperation to cleanse herself within. The camera cuts to a medium shot of the two girls talking as they pack stuff away in the store room , the camera cuts to a close up shot of Briony to show her expression as she is reminiscing about her crush. A bell go and the came ra tracks the nurses as they run through the corridor, music starts to swell to add tension to the scene.The camera tracks the girls as they run through a group of soldiers outside, men are heard shouting and it adds to the sense of chaos. There is a medium shot of Briony carry a badly injure man inside, a medium shot is used to show the determination on her face. The camera cuts to different shots of nurses tending to wound men and what Briony is doing, the continues change of shot and the use of the handheld camera in truth adds and emphasizes the chaos of it all as well as the use of the handheld camera making it feel more real. It cuts to a shot of Briony having blood on her hands which is very symbolic.Men and those being carried are rushing passed her as she stands looking around, Robbie is seen in the middle and it quickly cuts to a close up of Briony to show her reply to seeing him, music swells to add to the approaching of her going towards Robbie but the music drops wh en it’s not him. Briony is seen inside once again tending to hurt men, there are close ups and medium shots of the terribly injured men to add to the devastation of the war. In the shots Briony is seen as very sedate and determined in contrast to some others who are crying.\r\n'