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Friday, April 5, 2013

The Power of Illusion- an essay about "The Purple Rose of Cairo"

The Power of Illusion

Many messages can be derived from Woody Allens 1984 success, proud go of Cairo. It is easy to see that this is one of Allens more unruffled involves, and for good fence. He is truly keeping with the 1930s code of good decency by using overly tame ideas and actions through bulge the movie. An font is when tomcat challenges Gil to a fight and gets beaten up because he expects Gil to play fair. This example statement, although somewhat of a parody, shows us that it is possible to be brought into a totally different era (the 1930s) and genre (fantasy) and motionlessness take on something to think about after having watched the movie.

The ending of the blast is one that has come as a surprise and dashing hopes to many viewers. Cecilia is left abandoned by both Tom and Gil. It seems like a disappointment, scarcely it leaves a very crocked statement. Allen is saying that the setting of his constant clichés is just a movie as well. He is taking us out of not just the romantic illusions he is deflating in the film within the film, but also this movies romantic illusion to us. Its his moral reminder to us that no matter what expectations we might have of characters on a screen that happy endings dont always reverse out in real life.

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Although it is disappointing, it needs to be said.

The Purple Rose of Cairo is quite balanced with its messages. Allen deftly creates dual themes and thoughts on film and its relation to reality without ever harming the story, but also makes the two work hand-in-hand. By having a reason for Tom to walk off the screen, he creates a fantastically leveled fable on life, and how film can truly affect...

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