Leonardos Last Supper is a priceless piece of art with often hidden meaning and obvious talents bestowed upon a wall. Under the postulate of Verrocchio as a painter and a sculptor, he was capable to use his skills in creating a very detailed and a very naturalistic piece of work that would be remembered for hundreds of years. He was also able to spend a penny denotations with amazing individuality. Not completely was his portrayal of the characters magnificent, but the symbolism he used which express the story being told in the Last Supper.
Lodovico Sforza chose Leonardo to create The Last Supper in the refectory of the Dominican Church of S. Maria delle Grazie in Milan. The Abate of the S. Maria delle Grazie saw Leonardo work from forenoon until night on The Last Supper without eating. Although, there were periods he would stop exposure for days at a time; or, he would work on a specific character for just a few moments and then leave to stay fresh working on it later. He worked on it from 1495 thru 1498 (Strauss, 27).
Before Leonardo began painting the actual portrait, he put down a effect which was suppose to absorb the tempora and protect the tempora from the moisture on the wall. Unfortunately, the nitty-gritty was proved unsuccessful, and by 1517 it began to deteriorate.
In May 1556 a painter Giovanni Batista Armenini give tongue to that the painting was so badly affected that nothing is indubitable but a mass of blots(Heydenreich, 18). The painting has continued to crumble in the following centuries. It was further damaged by restorations do by careless artists and by the addition of a verge put in the lower part of the painting. Yet steady to this day his painting The Last Supper is widely known and visited by...
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